RUISKAMER: Lea Bertucci / Chuck Roth

support: GAME

VIERNULVIER & MIRY Concertzaal

Wed 26.11

19:30 - 22:30

Locatie

Tickets

19:30 - doors
20:00 - GAME
20:20 - Chuck Roth
21:00 - break
21:30 - Lea Bertucci

Free for Different Class members.

Complicated music for uncomplicated people.

Double bill with classically trained guitarist Chuck Roth on a curious musical exploration of the world of electronic music, and Lea Bertucci, the self-taught and idiosyncratic composer who weaves field recordings and noise techniques with woodwinds into installation art and creative masterpieces full of strings, wind instruments, percussion and creatively misused audio technology.

Two idiosyncratic artists who actively unlearn tradition in order to create highly intuitive compositions that convey their very personal styles through guitar, woodwinds, and electronics.

Part of

RUISKAMER

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About Lea Bertucci

Lea Bertucci is an experimental musician, composer and performer whose work describes relationships between acoustic phenomena and biological resonance. In addition to her longstanding practice with woodwind instruments, her work incorporates spatialized speaker arrays, radical methods of free improvisation and creative misuses of audio technology. In recent years, her projects have expanded toward site-specific and spatially aware projects that initiate new access points to architecture. Her approach to music is marked by dense masses of sustained dissonance and a fascination with the sonic substance of common experience.

Her discography spans over a decade, with eight full-length solo albums and a number of collaborative projects. In 2018 and 2019, she released solo albums Metal Aether and Resonant Field on NNA Tapes, and has since gone on to found her own label, Cibachrome Editions, with 2021’s A Visible Length of Light as the inaugural release followed by 2022’s Murmurations, a duo with Ben Vida.

About Chuck Roth

Chuck Roth’s music wanders. The New York-based guitarist’s inquisitive style builds from rippling patterns that center the physicality of his instrument, roaming wherever they take him. watergh0st songs, his Palilalia debut, collects songs from the past half-decade, presenting an intimate snapshot of his music that draws from an eclectic background in classical guitar, electronic music, and improvisation.

Though Roth’s music often feels quite direct, there is a dreaminess that lives inside of it. His lyrics don’t feel too hot or cold, instead they have a wistfulness and melancholy of what it feels like to live through every passing day. His exploratory style bolsters these lyrics, giving the music its sense of ennui, as does his focus on texture. Each track takes on a different structure: “Bunny Hop” unfolds like a squirrel jumping from branch to branch of a tree, while “Private Boy” has a slower approach, growing from delayed harmonics that almost sound like bowed strings. His textures range from metallic and bristling to soft and feathery, evolving with gentleness. It is about ending up somewhere different than where it started, and watching the notes that fall in between.