Lingua Ignota

CANCELLED: Lingua Ignota

27.05 20:00
Past event

Due to health problems, Lingua Ignota has unfortunately been forced to cancel her entire European tour. Ticket holders will be contacted and tickets will be refunded.'


Kristin Hayter, the classically trained multi-instrumentalist, performance artist, and vocalist known as Lingua Ignota has announced her Sargent House debut, 'SINNER GET READY' (2021). The follow up to her critically acclaimed break out 'CALIGULA', 'SINNER GET READY' is an unsettling portrait of devotion and betrayal, judgement and consequence, set in the derelict landscape of rural Pennsylvania, a neglected region deeply embedded with a particularly god fearing brand of Christianity, and where Hayter was living during the album’ inception. Watch the video for “PENNSYLVANIA FURNACE” incredibly it was all directed, shot, and edited by Hayter herself using remarkable imagery and the landscapes of rural Pennsylvania. The song reflects on the inevitability of God’s judgment, evoking the legend of an 18th-century ironmaster whose dogs return to drag him down to hell after he throws them all into his furnace in a rage.

With SINNER GET READY Hayter continues to build on the mythology she has created with CALIGULA and ALL BITCHES DIE but renegotiates and dismantles her own aesthetic language. She abandons any previous industrial grandeur and multi-genre approach, instead focusing on creating dissonance with traditional instruments of the Appalachian region. SINNER GET READY was created with Hayter’s primary collaborator, producer, and engineer Seth Manchester at Machines With Magnets in Rhode Island, with additional arrangements and performances from multi-instrumentalist and composer Ryan Seaton, and banjo-playing from J. Mamana.

A graduate of the School of the Art Institute of Chicago with an MFA in Literary Art from Brown University much of Hayter’s work is centralised around abuse. A survivor of domestic abuse for much of her life, her music seeks to explore the survivor hood of abuse through the vantage point of rage and despair in lieu of common approaches she views as “enforced patriarchal models of civilized femininity”. Her past works have received praise from Pitchfork, Noisey, The Quietus among others. Her cover of the song 'Jolene' was the inspiration behind designer Sébastien Meunier’s 2019 spring collection for Ann Demeulemeester who named the collection after it.

"Unlike the spiteful divinity that stalks these songs, Hayter’s music is full of reverence and empathy for our most challenging task: to be human.” - Pitchfork


Midwife is the moniker of multi-instrumentalist Madeline Johnston. She lives and works in San Miguel, New Mexico by way of Denver, Colorado, where she spent the better half of the past decade developing her experimental pop project. As a self taught guitarist and recording engineer, Midwife explores dark subject matter in her anthemic, soft-gaze hits. Self-described as “Heaven Metal,” or emotive music about devastation - catharsis.

Her third record, ‘Luminol’, is out now on The Flenser. Luminol is a chemical used by forensic investigators to reveal trace amounts of blood left at a crime scene. When it reacts with blood, luminol emits a chemiluminescent blue glow that can be seen in a darkened room. In the same way this chemical reveals evidence at a scene, Midwife is interested in profound truth - turning trial and tribulation into sources of light.

Luminol navigates themes of incarceration, locus of control, clarity, self harm, confinement, agency, and truth-seeking, all erupting in a bioluminescent Rothko color-field of blue.

Luminol (out now on The Flenser) features collaborations from Tucker Theodore, Angel Diaz (Vyva Melinkolya), Zachary Cole Smith, Ben Newman, and Colin Caulfield (DIIV), and Dan Barrett (Have A Nice Life).

"An emotional apocalypse.” - SPIN



Sat 27.05 - 20:00 (doors) De Vooruit Balzaal
€30 (presale, ticket fee included) / €33 (at the door)